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Based around the pivotal WWII battle of Stalingrad
(1942-3), where the German advance into Russia was eventually halted by the
Red Army, and around an extended family, the Shaposhnikovs, and their many
friends and acquaintances, Life and Fate recounts the experience of
characters caught up in an immense struggle between opposing armies and
ideologies. Nazism and Communism are appallingly similar, ‘two poles of one
magnet’, as a German camp commander tells a shocked old Bolshevik prisoner. At
the height of the battle Russian soldiers and citizens alike are at last able
to speak out as they choose, and without reprisal - an unexpected and
short-lived moment of freedom. Grossman himself was on the front line as a
war correspondent at Stalingrad - hence his gripping battle scenes, though
these are more than matched by the drama of the individual conscience
struggling against massive pressure to submit to the State. He knew all about
this from experience too. His central character, Viktor Shtrum, eventually
succumbs, but each delay and act of resistance is a moral victory. Though he
writes unsparingly of war, terror and totalitarianism, Grossman also tells of
the acts of ‘senseless kindness’ that redeem humanity, and his message
remains one of hope. He dedicates his book, the labour of ten years, and
which he did not live to see published, to his mother, who, like Viktor
Shtrum’s, was killed in the holocaust at Berdichev in Ukraine in September 1941.
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Based around the pivotal WWII battle of Stalingrad
(1942-3), where the German advance into Russia was eventually halted by the
Red Army, and around an extended family, the Shaposhnikovs, and their many
friends and acquaintances, Life and Fate recounts the experience of
characters caught up in an immense struggle between opposing armies and
ideologies. Nazism and Communism are appallingly similar, ‘two poles of one
magnet’, as a German camp commander tells a shocked old Bolshevik prisoner. At
the height of the battle Russian soldiers and citizens alike are at last able
to speak out as they choose, and without reprisal - an unexpected and
short-lived moment of freedom. Grossman himself was on the front line as a
war correspondent at Stalingrad - hence his gripping battle scenes, though
these are more than matched by the drama of the individual conscience
struggling against massive pressure to submit to the State. He knew all about
this from experience too. His central character, Viktor Shtrum, eventually
succumbs, but each delay and act of resistance is a moral victory. Though he
writes unsparingly of war, terror and totalitarianism, Grossman also tells of
the acts of ‘senseless kindness’ that redeem humanity, and his message
remains one of hope. He dedicates his book, the labour of ten years, and
which he did not live to see published, to his mother, who, like Viktor
Shtrum’s, was killed in the holocaust at Berdichev in Ukraine in September 1941.