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The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three ‘revisits’: the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston’s ‘Moses, Man of the Mountain’, Ilona Rashkow on ‘Oedipus Wreckes: Moses and God’s Rod’, and ‘Divine Puppeteer: Yahweh of Exodus’ by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises ‘Miriam’ by Phyllis Silverman Kramer, ‘Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings’ by Helen Leneman, Alice Bach, ‘Dreaming of Miriam’s Well’ and Irmtraud Fischer on ‘The Authority of Miriam’. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on’ Serah and the Exodus’.
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The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three ‘revisits’: the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston’s ‘Moses, Man of the Mountain’, Ilona Rashkow on ‘Oedipus Wreckes: Moses and God’s Rod’, and ‘Divine Puppeteer: Yahweh of Exodus’ by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises ‘Miriam’ by Phyllis Silverman Kramer, ‘Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings’ by Helen Leneman, Alice Bach, ‘Dreaming of Miriam’s Well’ and Irmtraud Fischer on ‘The Authority of Miriam’. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on’ Serah and the Exodus’.