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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Production of King Oedipus is a masterful behind-the-scenes account of the production of Sophocles’ Oedipus Rex at the Festival Theatre Stratford, Ontario, in 1954. Written by the theatre’s Artistic Director, Tyrone Guthrie, and the theatre’s designer, Tanya Moiseiwitsch, this longform essay offers remarkable insights into their collaborative process, exploring the symbolism of the play, the ritualistic tone of the performance and the technical challenges of acting in masks.
As Guthrie explains in the essay: Above all, the attempt was to raise the tragedy from the triviality of detail and particularity, onto the plane where it belongs, of abstracted and remote grandeur.
With foreword by designer, Clare Ferraby, and interview with Colin George and Tanya Moiseiwitsch.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Production of King Oedipus is a masterful behind-the-scenes account of the production of Sophocles’ Oedipus Rex at the Festival Theatre Stratford, Ontario, in 1954. Written by the theatre’s Artistic Director, Tyrone Guthrie, and the theatre’s designer, Tanya Moiseiwitsch, this longform essay offers remarkable insights into their collaborative process, exploring the symbolism of the play, the ritualistic tone of the performance and the technical challenges of acting in masks.
As Guthrie explains in the essay: Above all, the attempt was to raise the tragedy from the triviality of detail and particularity, onto the plane where it belongs, of abstracted and remote grandeur.
With foreword by designer, Clare Ferraby, and interview with Colin George and Tanya Moiseiwitsch.