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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Screenplays are vital to the making of film and TV drama, yet they’re routinely obscured and misrepresented in much of what’s written about film and screenwriting. Simon Passmore uses his experience in professional practice, teaching, and academia to bring together differing and often conflicting ideas about what screenplays are and how they function. Words Before Pictures throws light on the divergent views of screenplays found in screenwriting manuals, academic studies, and practitioner accounts, and proposes new ways of conceptualising screenplays that recognise their crucial role in bringing films into being.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Screenplays are vital to the making of film and TV drama, yet they’re routinely obscured and misrepresented in much of what’s written about film and screenwriting. Simon Passmore uses his experience in professional practice, teaching, and academia to bring together differing and often conflicting ideas about what screenplays are and how they function. Words Before Pictures throws light on the divergent views of screenplays found in screenwriting manuals, academic studies, and practitioner accounts, and proposes new ways of conceptualising screenplays that recognise their crucial role in bringing films into being.