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From the Number One bestselling author of Shrines of Gaiety and Life After Life, a gemlike collection of unforgettable short stories in which nothing is quite what it seems...
In this first full collection since Not the End of the World, we meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a man whose luck changes when a horse speaks to him.
With clockwork intricacy, inventiveness and sharp social observation, Kate Atkinson conjures a feast for the imagination, a constantly changing multiverse in which nothing is quite as it seems.
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From the Number One bestselling author of Shrines of Gaiety and Life After Life, a gemlike collection of unforgettable short stories in which nothing is quite what it seems...
In this first full collection since Not the End of the World, we meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a man whose luck changes when a horse speaks to him.
With clockwork intricacy, inventiveness and sharp social observation, Kate Atkinson conjures a feast for the imagination, a constantly changing multiverse in which nothing is quite as it seems.
Kate Atkinson’s first full collection of short stories, Normal Rules Don’t Apply are absurdist in their content – and, to be honest, a little spooky. It does seem as if Atkinson has been reading the Bible and the result is that certain fables are now set in an English landscape in a normal, everyday type of home. Each story in this collection is a fairytale designed to grab ideas from the past and shake them up.
The collection begins with a plague of sorts. Titled ‘The Void’, it wipes out people at the same time every day. ‘Shine, Pamela, Shine’ deals with immaculate conception in a poor, post-menopausal woman ‘just doing her very best under the circumstances’. ‘Classic Quest 17: Crime and Punishment’ deals with the unruly behaviour of offspring. Elsewhere, there are stories in which horses talk back, women can turn into powerful forces, and time stands still. Each story calls on influences from many great writers, poets, and philosophers to create something unique, yet, because we are in Atkinson’s safe hands, familiar as well. It is, after all, a collection about how ridiculous we are, how fancy-free we can be, and how consequences make us all a little crazy. Despite the vastness of each story’s concept, each entry deliciously narrows down on domestic life.
And there lies Atkinson’s power: the ordinary becomes extraordinary. Reach for this collection when you need a fresh perspective. Grab this collection to laugh, to commiserate, and to bow down to one of the greatest writers in the world. Fans will delight. New admirers will discover how her wit and observational powers change your own internal considerations. I mean, we shouldn’t just trust what is in front of us. Should we?
Dip into incredible and inspiring new worlds with our favourite short story collections and anthologies.
Your favourite books are now available in a compact B-format paperback! Budget friendly and easy to carry with you.
Kate Atkinson is one of the world’s foremost novelists. She won the Costa Book of the Year prize with her first novel, Behind the Scenes at the Museum. Her three critically lauded and prizewinning novels set around World War II are Life After Life, A God in Ruins (both winners of the Costa Novel Award), and Transcription. She was appointed MBE for services to literature in 2011.
Her bestselling literary crime novels featuring former detective Jackson Brodie, Case Histories, One Good Turn, When Will There Be Good News? and Started Early, Took My Dog became a BBC television series starring Jason Isaacs.