Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Michel Beheim (1420-ca. 1474), prolific and peripatetic composer of almost 500 song-poems, explored a very wide thematic and stylistic range, embracing almost every type of song accessible to the late medieval and early modern singer. He wrote lyrics on history and love, politics and travel, geography and aesthetics, morals and warfare, satire and diplomacy, polemics and religion, Dracula and ocean monsters - and more. Often his own scribe, Beheim, ever the self-important artist, carefully preserved his work for posterity. Sometimes housed at the highest courts of the Empire, but frequently without sustenance, Beheim led a life in constant search of literary patronage. In the end, he was forced into retirement because his monophonic singing fell out of favor, rivalled by the polyphonic music of the Renaissance courts. This new collection of annotated translations of his work offers an introduction to his vast oeuvre.
<>
(Professor William C. McDonald, University of Virginia)
<>
(Professor Sieglinde Hartmann, Universitaet Wuerzburg)
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Michel Beheim (1420-ca. 1474), prolific and peripatetic composer of almost 500 song-poems, explored a very wide thematic and stylistic range, embracing almost every type of song accessible to the late medieval and early modern singer. He wrote lyrics on history and love, politics and travel, geography and aesthetics, morals and warfare, satire and diplomacy, polemics and religion, Dracula and ocean monsters - and more. Often his own scribe, Beheim, ever the self-important artist, carefully preserved his work for posterity. Sometimes housed at the highest courts of the Empire, but frequently without sustenance, Beheim led a life in constant search of literary patronage. In the end, he was forced into retirement because his monophonic singing fell out of favor, rivalled by the polyphonic music of the Renaissance courts. This new collection of annotated translations of his work offers an introduction to his vast oeuvre.
<>
(Professor William C. McDonald, University of Virginia)
<>
(Professor Sieglinde Hartmann, Universitaet Wuerzburg)