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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"Welcome into my biochemistry. Have a nice trip!", writes the author as the starting point of, and the key to, this collection of 42 poems (all translated to Italian - testo a fronte in Italiano) which has the sound - sounds - of thirteen years of words and life (2003-2015). Inside, there are light, body, notes, the hallucinogens of fantasy, monkeys and dogs, mud, wax matches of relief mostly clubbed by a lump of evil (hence the "carcasses" of the title) with big lungs, nails, drops of woman, and the footsteps of her absence. Inside there are tricks, and sincerity. And a Sound Diary. While reading these lines, one finds the voice of sensations, more than that of sense, and the relentless, yet almost subterranean, hunt for a crumb of beauty.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
"Welcome into my biochemistry. Have a nice trip!", writes the author as the starting point of, and the key to, this collection of 42 poems (all translated to Italian - testo a fronte in Italiano) which has the sound - sounds - of thirteen years of words and life (2003-2015). Inside, there are light, body, notes, the hallucinogens of fantasy, monkeys and dogs, mud, wax matches of relief mostly clubbed by a lump of evil (hence the "carcasses" of the title) with big lungs, nails, drops of woman, and the footsteps of her absence. Inside there are tricks, and sincerity. And a Sound Diary. While reading these lines, one finds the voice of sensations, more than that of sense, and the relentless, yet almost subterranean, hunt for a crumb of beauty.