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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Paolo Cirio presents the three series of works Attention, Property, and Derivatives in his solo show Images Rights at NOME Gallery in Berlin. The exhibition Images Rights expands upon Cirio's concept of Internet Photography, with a particular focus on the economic, legal, and semantic values of photos circulating online.
These Cirio's works explore modes of appropriation art to address the political economy of images. Rather than authorship, these artworks problematize the ownership, liability, and social responsibility of the production and distribution of photos on the Internet.
The series Attention, Property, and Derivatives each examine, respectively: images as currency of the attention economy, images as capital, and images as finance.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Paolo Cirio presents the three series of works Attention, Property, and Derivatives in his solo show Images Rights at NOME Gallery in Berlin. The exhibition Images Rights expands upon Cirio's concept of Internet Photography, with a particular focus on the economic, legal, and semantic values of photos circulating online.
These Cirio's works explore modes of appropriation art to address the political economy of images. Rather than authorship, these artworks problematize the ownership, liability, and social responsibility of the production and distribution of photos on the Internet.
The series Attention, Property, and Derivatives each examine, respectively: images as currency of the attention economy, images as capital, and images as finance.