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Nationhood and Improvised Belief in American Fiction highlights the ways religious belief and practice intersect with questions of national belonging in the work of major contemporary writers. Through readings of novels by Louise Erdrich, Toni Morrison, Cristina Garcia, and others, this book argues that the representations of syncretic, culturally hybrid, and improvised forms of religious practice operate in these novels as critiques of exclusionary constructions of national identity, providing models for alternate ways of belonging based on shared religious beliefs and practices. Rather than treating the religious history of the U.S. as one of increasing secularization, this book instead calls for greater attention to the diversity of religious experience in the U.S., as well as a deeper understanding of the ways in which these experiences can inform relationships to the national community.
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Nationhood and Improvised Belief in American Fiction highlights the ways religious belief and practice intersect with questions of national belonging in the work of major contemporary writers. Through readings of novels by Louise Erdrich, Toni Morrison, Cristina Garcia, and others, this book argues that the representations of syncretic, culturally hybrid, and improvised forms of religious practice operate in these novels as critiques of exclusionary constructions of national identity, providing models for alternate ways of belonging based on shared religious beliefs and practices. Rather than treating the religious history of the U.S. as one of increasing secularization, this book instead calls for greater attention to the diversity of religious experience in the U.S., as well as a deeper understanding of the ways in which these experiences can inform relationships to the national community.