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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is the first book to analyse the Mozambican modern ghost story, establishing the genre’s unique characteristics, situating it in a transnational context, and distinguishing it from other supernatural traditions. The study discusses why it emerged in different historical moments in Mozambican literature and how it was adapted in the process.
Relying on a combination of short and close readings, this book offers a large scope spanning almost two centuries. It examines works of prominent and less prominent Mozambican authors - including Campos de Oliveira, Orlando Mendes, Mia Couto, Ungulani Ba Ka Khosa, and Paulina Chiziane - to discuss the relation of the Mozambican modern ghost story to colonial capitalism, the neoliberalism of the 1980s, and the globalization and world-literature debates of the nineteenth and twenty-first centuries.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is the first book to analyse the Mozambican modern ghost story, establishing the genre’s unique characteristics, situating it in a transnational context, and distinguishing it from other supernatural traditions. The study discusses why it emerged in different historical moments in Mozambican literature and how it was adapted in the process.
Relying on a combination of short and close readings, this book offers a large scope spanning almost two centuries. It examines works of prominent and less prominent Mozambican authors - including Campos de Oliveira, Orlando Mendes, Mia Couto, Ungulani Ba Ka Khosa, and Paulina Chiziane - to discuss the relation of the Mozambican modern ghost story to colonial capitalism, the neoliberalism of the 1980s, and the globalization and world-literature debates of the nineteenth and twenty-first centuries.