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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Against the Grain is the autobiography of the classical musical instrument maker Paul Fischer. He trained under renowned instrument maker Robert Goble in his workshops at Headington in Oxfordshire before spending 6 years in the British Army, after which in 1969 he began working with David Rubio making instruments for world-famous musicians including Julian Bream. In addition to guitars, they made harpsichords, spinets, lutes, citterns and instruments for the Early Music instrument revival scene. Paul established his own workshops in the late 1970s and continued to make beautiful instruments for the next forty years. He has made an invaluable contribution to the world of instrument makers promoting the use of new woods as the rainforests of Brazil continue to deplete. His autobiography celebrates his art and his supreme talent.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Against the Grain is the autobiography of the classical musical instrument maker Paul Fischer. He trained under renowned instrument maker Robert Goble in his workshops at Headington in Oxfordshire before spending 6 years in the British Army, after which in 1969 he began working with David Rubio making instruments for world-famous musicians including Julian Bream. In addition to guitars, they made harpsichords, spinets, lutes, citterns and instruments for the Early Music instrument revival scene. Paul established his own workshops in the late 1970s and continued to make beautiful instruments for the next forty years. He has made an invaluable contribution to the world of instrument makers promoting the use of new woods as the rainforests of Brazil continue to deplete. His autobiography celebrates his art and his supreme talent.