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Henri Cartier-Bresson (perhaps the most celebrated father of street photography and amongst the first to elevate it to an art) said somewhere that your first 10,000 pictures are your worst. So, given that I have probably taken about that many pictures in those few short years, I present in this book - a curated selection of what will become my worst pictures. Derren Brown
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As well as being an incredible stage performer, a brilliant writer and a talented painter, Derren Brown is also a fantastic street photographer. Here, for the first time, is a selection of his work. As he writes of his passion-
‘Street photography is a fitting refuge for those who look at life from a distance. It both sanctifies our remoteness (by offering the standpoint of the observer) and challenges it, insisting we approach with a spritely curiosity. It offers a safe route back into the world- the camera is an entry ticket to daunting social situations and extraordinary environments where we might otherwise feel entirely out of place. Suddenly we have a role- a reason to be present. And for those of us smitten by its appeal, it provides a means of fortifying and forgetting ourselves, while extending out into the world with a controlled compassion.
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Henri Cartier-Bresson (perhaps the most celebrated father of street photography and amongst the first to elevate it to an art) said somewhere that your first 10,000 pictures are your worst. So, given that I have probably taken about that many pictures in those few short years, I present in this book - a curated selection of what will become my worst pictures. Derren Brown
____________
As well as being an incredible stage performer, a brilliant writer and a talented painter, Derren Brown is also a fantastic street photographer. Here, for the first time, is a selection of his work. As he writes of his passion-
‘Street photography is a fitting refuge for those who look at life from a distance. It both sanctifies our remoteness (by offering the standpoint of the observer) and challenges it, insisting we approach with a spritely curiosity. It offers a safe route back into the world- the camera is an entry ticket to daunting social situations and extraordinary environments where we might otherwise feel entirely out of place. Suddenly we have a role- a reason to be present. And for those of us smitten by its appeal, it provides a means of fortifying and forgetting ourselves, while extending out into the world with a controlled compassion.