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(Boosey & Hawkes Scores/Books). One of MacMillan’s earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore received with great excitement at its premiere in 2014 by Colin Currie and the Netherlands Radio Philharmonic. Like its predecessor, the second concerto is formed in a single, c25-minute span, albeit with contrasting sections, but with full orchestra scoring. The significant array of solo percussion is complemented by two orchestral percussion sections; notably the soloist makes use of a recently invented instrument, the aluphone. Suitable for advanced standard performers.
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(Boosey & Hawkes Scores/Books). One of MacMillan’s earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore received with great excitement at its premiere in 2014 by Colin Currie and the Netherlands Radio Philharmonic. Like its predecessor, the second concerto is formed in a single, c25-minute span, albeit with contrasting sections, but with full orchestra scoring. The significant array of solo percussion is complemented by two orchestral percussion sections; notably the soloist makes use of a recently invented instrument, the aluphone. Suitable for advanced standard performers.