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Rider Haggard a screfas an novel-ma in nebes dedhyow termyn cot wosa y sowena gans Balyow Mytern Salamon hag ev ow qwil devnyth unweyth arta a'y experyens a Afryca hag a'y skians a'n fug-whedhlow coth. Saw yma downder brassa ha moy grysyl dhe verkya i'n lyver-ma kefres. I'n whedhel yma an try den dhyworth Kergraunt ow codhevel torrva gorhal, fevyr ha debroryon tus in udn whelas Honna , towl ha pedn aga viaj, kemynys dhedhans dyw vil vledhen alena. Honna yw an carnacyon a onen a'n fygurs moyha puyssant ha moyha omborthus in omwodhvos an West: benyn neb yw in kettermyn dynyores ha skyla rag euth. Ow empir vy yw empir a'n desmygyans. An geryow-na yw leverys gans Ayesha, chif-person an lyver-ma ha myternes a drib in Afryca Cres. Yma hy les'hanow Honna-a-res-bos-obeyes ow styrya hy thecter dyvarow ha gallos hy fystry. Saw an dhew lavar-na kemerys warbarth yw dustuny kefres a'n dhalhen crev a'n jeva an auctour, Henry Rider Haggard, war imajynacyon y redyoryon dres an bledhydnyow. —- Rider Haggard wrote this novel in a few days shortly after his success with King Solomon’s Mines , and in it he again uses his African experiences and his familiarity with old legends. But there is a greater and more frightening depth in this book. In the story the three men from Cambridge endure shipwreck, fever, and cannibals as they search for She , the object and end of their adventure, bequeathed to them two thousand years previously. She is the incarnation of one of the most powerful and most ambiguous figures in Western consciousness: a woman who is at the same time a seductress and a figure of terror. My empire is an empire of the imagination. Those words are spoken by Ayesha, the central figure of this book and the queen of a central African tribe. Her soubriquet She-who-must-be-obeyed alludes to her deathless beauty and her magical powers. But taken together those two utterances bear witness to the powerful hold the author, Henry Rider Haggard, has had on his readers over the years.
