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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
What can Dante tell us about Proust, and what can Proust tell us about Dante? In this book, Hartley follows a process of analogy, reading Dante’s Divine Comedy and Proust’s A la recherche du temps perdu in light of one another in order to offer new insights into both works. Navigating Dante and Proust’s different literary and historical contexts, as well as the rich body of scholarship that their works have generated, Hartley explores in particular their treatments of subjectivity, authorship, and vocation. The book’s comparative perspective brings a unique contribution to such debated issues as the universality of Dante’s poem, Proust’s elevation of art, and the relationship between gender and literary authority.
Julia Hartley is a Leverhulme Early Career Fellow in the School of Modern Languages and Cultures, University of Warwick.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
What can Dante tell us about Proust, and what can Proust tell us about Dante? In this book, Hartley follows a process of analogy, reading Dante’s Divine Comedy and Proust’s A la recherche du temps perdu in light of one another in order to offer new insights into both works. Navigating Dante and Proust’s different literary and historical contexts, as well as the rich body of scholarship that their works have generated, Hartley explores in particular their treatments of subjectivity, authorship, and vocation. The book’s comparative perspective brings a unique contribution to such debated issues as the universality of Dante’s poem, Proust’s elevation of art, and the relationship between gender and literary authority.
Julia Hartley is a Leverhulme Early Career Fellow in the School of Modern Languages and Cultures, University of Warwick.