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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Gravity and grace are spiritual terms, but they can also offer us a way to think about literature. Grace may mean not only the felicity and ease - what Schiller refers to as the ‘mobile beauty’ - inhabiting certain works of art, but also the sense of something given, or about to be given, by a work as we read it: something incalculable, perhaps accidental, but vital and regenerative. Like a promise, this quality also needs gravity, a sense of substance within it. The gracefulness of a dancer relies upon gravity, and the grace of a text depends on the weight of words. These matters are pursued here in essays on subjects ranging from Voltaire to Ali Smith, from Baudelaire to Beckett, not forgetting Mallarme, and offered to Roger Pearson in honour of the grace and gravity of his own writing.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Gravity and grace are spiritual terms, but they can also offer us a way to think about literature. Grace may mean not only the felicity and ease - what Schiller refers to as the ‘mobile beauty’ - inhabiting certain works of art, but also the sense of something given, or about to be given, by a work as we read it: something incalculable, perhaps accidental, but vital and regenerative. Like a promise, this quality also needs gravity, a sense of substance within it. The gracefulness of a dancer relies upon gravity, and the grace of a text depends on the weight of words. These matters are pursued here in essays on subjects ranging from Voltaire to Ali Smith, from Baudelaire to Beckett, not forgetting Mallarme, and offered to Roger Pearson in honour of the grace and gravity of his own writing.