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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
African-derived religious traditions like Santeria and Vodou have long been a site of political, cultural and social resistance in the Caribbean. Through his focus on the body as the juncture between the physical and spiritual planes, Humphrey’s analysis of a number of Caribbean novels and plays foregrounds the complex nature of women’s negotiation of religious, social and political life as participants in these marginalized religious communities. Examining works from authors such as Cuban playwright Eugenio Hernandez Espinosa (1936-), Haitian novelists Kettly Mars (1958-) and Marie Chauvet (1916-1973), and Cuban-Puerto Rican writer Mayra Montero (1952-), he demonstrates the manner in which the worldviews offered by Santeria and Vodou permit the divisions within and between concepts such as gender, sexuality, womanhood, space and nation to be transcended. As a result, not only do these narratives resist and subvert hegemonic and patriarchal discourses, but also provide a means through which the voice of the marginalized can be heard.
Paul Humphrey is Assistant Professor in World Languages and Cultures at Monmouth University, New Jersey.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
African-derived religious traditions like Santeria and Vodou have long been a site of political, cultural and social resistance in the Caribbean. Through his focus on the body as the juncture between the physical and spiritual planes, Humphrey’s analysis of a number of Caribbean novels and plays foregrounds the complex nature of women’s negotiation of religious, social and political life as participants in these marginalized religious communities. Examining works from authors such as Cuban playwright Eugenio Hernandez Espinosa (1936-), Haitian novelists Kettly Mars (1958-) and Marie Chauvet (1916-1973), and Cuban-Puerto Rican writer Mayra Montero (1952-), he demonstrates the manner in which the worldviews offered by Santeria and Vodou permit the divisions within and between concepts such as gender, sexuality, womanhood, space and nation to be transcended. As a result, not only do these narratives resist and subvert hegemonic and patriarchal discourses, but also provide a means through which the voice of the marginalized can be heard.
Paul Humphrey is Assistant Professor in World Languages and Cultures at Monmouth University, New Jersey.