Residual Figuration in Samuel Beckett and Alberto Giacometti
Li Lin
Residual Figuration in Samuel Beckett and Alberto Giacometti
Li Lin
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In 1945, Swiss sculptor Alberto Giacometti (1901-66) brought back to Paris six matchboxes filled with the work of his war years: minute figurines that crumbled upon a single touch. Around this time, Irish playwright Samuel Beckett (1906-89) began writing plays, first Eleutheria and then Waiting for Godot. When they came together in 1961 to collaborate on a re-staging of Godot, both had turned their attention to different types of figures: Giacometti to lanky, attenuated figures that seem to erode into their environment, and Beckett to increasingly disembodied characters, such as Henry and Ada in Embers. What can we make of this turn in depicting figures that seem to make and unmake themselves in our processes of perceiving them? Through a close examination of Beckett's dramatic works and Giacometti's art, Lin Li traces the development of this peculiar type of figuration and uncovers its implications on personhood, rhetoric and inter-medial reading. Lin Li is research associate at the University of Antwerp.
This item is not currently in-stock. It can be ordered online and is expected to ship in 7-14 days
Our stock data is updated periodically, and availability may change throughout the day for in-demand items. Please call the relevant shop for the most current stock information. Prices are subject to change without notice.
Sign in or become a Readings Member to add this title to a wishlist.