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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This edition gives a side-by-side parallel translation of Moliere ‘s Tartuffe using Curtis Hidden Page ’s translation. Tartuffe was first performed in 1664 and is one of the most famous theatrical comedies, the characters of Tartuffe, Elmire, and Valere are among the greatest classical theatre roles. Following the first performance, it was censored by King Louis XIV, probably due to the influence of the archbishop of Paris, who was the King’s confessor. Due to Moliere’s play, contemporary French and English both use the word tartuffe to describe a hypocrite who superficially feigns virtue. The play is written entirely in 1,962 twelve-syllable lines (alexandrines) of rhyming couplets.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This edition gives a side-by-side parallel translation of Moliere ‘s Tartuffe using Curtis Hidden Page ’s translation. Tartuffe was first performed in 1664 and is one of the most famous theatrical comedies, the characters of Tartuffe, Elmire, and Valere are among the greatest classical theatre roles. Following the first performance, it was censored by King Louis XIV, probably due to the influence of the archbishop of Paris, who was the King’s confessor. Due to Moliere’s play, contemporary French and English both use the word tartuffe to describe a hypocrite who superficially feigns virtue. The play is written entirely in 1,962 twelve-syllable lines (alexandrines) of rhyming couplets.