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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the early twentieth century, Florence McGillivray was one of the most accomplished, prolific, and well-travelled female artists in Canada. Her peers recognized her skills and mastery in Post-Impressionistic and Modernistic styles and respected her as a tenured art instructor. But for the most part, history has forgotten her. A name almost everyone has heard of, on the other hand, is Tom Thomson. Tom was a family friend of Florence's, and there is evidence that she enlightened him about the international Modernist movement she had observed in Europe, planting a seed that would change Canadian art forever.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the early twentieth century, Florence McGillivray was one of the most accomplished, prolific, and well-travelled female artists in Canada. Her peers recognized her skills and mastery in Post-Impressionistic and Modernistic styles and respected her as a tenured art instructor. But for the most part, history has forgotten her. A name almost everyone has heard of, on the other hand, is Tom Thomson. Tom was a family friend of Florence's, and there is evidence that she enlightened him about the international Modernist movement she had observed in Europe, planting a seed that would change Canadian art forever.