Hannah McGregor has a very active Twitter and Instagram following Both Witch, Please (20,000 listeners +) and Secret Feminist Agenda have strong following. Witch, Please is a non-scholarly audience. SFA has a crossover audience topicality: TERFs and transphobic feminism; podcasting and its influence on feminism feminist scholars, gender and media scholars; life writing readers of Sara Ahmed or Donna Haraway Hannah is one of the co-authors of Refuse: CanLit in Ruins, which caused a buzz when it was released models how to interweave personal writing and scholarship in media studies and literary criticism. How is scholarship transformed when we account for where we know from and how we relate to one another?