The Theory of Everything

Good News: The worst has already happened.
Bad News: Even worse is on the way.

This is a fictional theory, a rant, a manifesto, an engagement or disengagement with the times, a record; it is bearing witness, a dramatisation of actual events, a horror-scape, either a monologue or dialogue, a testament, travel guide, handbook, textbook, potential encyclopaedia; it is five mini-novels or else five post-novels, an epic, a drop in the ocean, an homage, a reference, one long secret handshake, an agreement, a wink; it is an explosion of form, tangential, discursive, a firming of the foundations, a lament, an absurdist comedy with realism that is as realistic as it gets; it is a spectrum, shades of black from the dark to the next shade up from white, a proliferation, a step-back, a righting, a note to oneself, a line in the sand or a gust in the form of a structure-shaking gale; it is a dance (a two-footed, single-person line dance), an experiment, pure science, flicking the finger; it is, of course, backing away, crossing the street and avoiding eye contact; it is fantasy, humour, a romance without any leads, a defiance, a subdued rebellion, an anti-philosophical philosophy; it is pacifism that instigates a fight, a denouncement in the form of a laugh, an exploration, an adventure, a time-lapse, a panorama, a conclusion, you may just have to read the theory because these are just alluding-to-the-theory words.