Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Thirty years on from The First Stone, Madison Griffiths is ready to blow the conversation wide open
The professor who whispers sweet nothings into his students' ears, makes sweet nothings out of them.
Sweet Nothings is a gripping narrative non-fiction account of four women's interwoven stories in the wake of having once been students who embarked on romantic relationships with their university professors.
Through the stories of Rose, Blaine, Cara and Elsie, Griffiths explores what these relationships tell us about power and interrogates how class and gender are expressed and exploited in our academic institutions.
By tackling sex, desire and its consequences in a university setting, it looks keenly at the gender imbalances that inform these affairs, and how thorny betrayal becomes when a woman is made to believe she is the 'exception to the rule' only to find out she is one of many.
Griffiths' portrayal reveals, with searing candidness, the labyrinth of ego, ambition, and abuse that can begin in the classroom. It's an unflinching critique of the hierarchies that distort relationships and can leave lasting scars.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Thirty years on from The First Stone, Madison Griffiths is ready to blow the conversation wide open
The professor who whispers sweet nothings into his students' ears, makes sweet nothings out of them.
Sweet Nothings is a gripping narrative non-fiction account of four women's interwoven stories in the wake of having once been students who embarked on romantic relationships with their university professors.
Through the stories of Rose, Blaine, Cara and Elsie, Griffiths explores what these relationships tell us about power and interrogates how class and gender are expressed and exploited in our academic institutions.
By tackling sex, desire and its consequences in a university setting, it looks keenly at the gender imbalances that inform these affairs, and how thorny betrayal becomes when a woman is made to believe she is the 'exception to the rule' only to find out she is one of many.
Griffiths' portrayal reveals, with searing candidness, the labyrinth of ego, ambition, and abuse that can begin in the classroom. It's an unflinching critique of the hierarchies that distort relationships and can leave lasting scars.