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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
'Absorbing, empathetic and cerebral all at once. Using ordinary language and often extraordinary turns of phrase, Williams manages to peel back the complex layers of our everyday lives with remarkable grace and clarity.' - Judy Johnson
'Jane Williams has the rare ability to make our ordinary days feel not just vividly real, but also cared for, and precious. In scenes from her own life and the sympathetically observed lives of others, there is a lovely coexistence of pragmatism and a belief in the need for comfort. From falling in love "in slow motion" with a blue tongue lizard to seeing in the mirror the face of her mother's daughter greeting her kindly - "ne more fold in the soul's origami", undercurrents is constantly surprising, enriching and memorable.' - Jean Kent
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
'Absorbing, empathetic and cerebral all at once. Using ordinary language and often extraordinary turns of phrase, Williams manages to peel back the complex layers of our everyday lives with remarkable grace and clarity.' - Judy Johnson
'Jane Williams has the rare ability to make our ordinary days feel not just vividly real, but also cared for, and precious. In scenes from her own life and the sympathetically observed lives of others, there is a lovely coexistence of pragmatism and a belief in the need for comfort. From falling in love "in slow motion" with a blue tongue lizard to seeing in the mirror the face of her mother's daughter greeting her kindly - "ne more fold in the soul's origami", undercurrents is constantly surprising, enriching and memorable.' - Jean Kent