Axiomatic
Maria Tumarkin
Axiomatic
Maria Tumarkin
The past shapes the present-they teach us that in schools and universities. (Shapes? Infiltrates, more like; imbues, infuses.) This past cannot be visited like an ageing aunt. It doesn’t live in little zoo enclosures. Half the time, this past is nothing less than the beating heart of the present. So, how to speak of the searing, unpindownable power that the past-ours, our family’s, our culture’s-wields in the present?
Stories are not enough, even though they are essential. And books about history, books of psychology-the best of them take us closer, but still not close enough. Maria Tumarkin’s Axiomatic is a boundary-shifting fusion of thinking, storytelling, reportage and meditation.
It takes as its starting point five axioms – ‘Time Heals All Wounds’; ‘History Repeats Itself’; ‘Those Who Forget the Past are Condemned to Repeat It’; ‘Give Me a Child Before the Age of Seven and I Will Show You the Woman’; and ‘You Can’t Enter The Same River Twice.’
These beliefs-or intuitions-about the role the past plays in our present are often evoked as if they are timeless and self-evident truths. It is precisely because they are neither, yet still we are persuaded by them, that they tell us a great deal about the forces that shape our culture and the way we live.
Review
Kara Nicholson
Brow Books is a local, not-for-profit, literary organisation that promises to publish ‘writers whose work sits in the literary margins’. Axiomatic uniquely combines narrative, reportage and essay and delivers unexpected power and beauty. Maria Tumarkin, whose previous critically acclaimed books have dealt with violence, intergenerational trauma, history and politics, here takes five axioms and interrogates their value as self-evident truths. ‘Time heals all wounds’, ‘history repeats itself’, ‘those who forget the past are condemned to repeat it’, ‘you can’t enter the same river twice’, and ‘give me a child before the age of 7 and I’ll give you the (wo)man’ are all exposed for their inability to reflect the complexities of real life.
The subjects here are dark – teen suicide, drug addiction, the Holocaust – but Tumarkin’s original storytelling style sheds light in unexpected places while not shying away from the shadows. Particularly moving is the chapter that introduces Vanda, an indefatigable community lawyer in Melbourne who represents the dispossessed, people ‘who live their lives on a highway where they are repeatedly hit by passing trucks’. In another chapter we meet a grandmother who was jailed for kidnapping her grandson, a complex and heartbreaking story.
This is a highly original collection unlike anything I’ve read by an Australian author. Tumarkin’s writing style is unflinching and unique and her insight into human behaviour is extraordinary. I very much look forward to what Maria Tumarkin and Brow Books will bring out next. We need more writing like this on difficult topics from the margins of the society.
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