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Play for Puppets which he also drew the illustrations, is filled with axioms, pointed comments about the state of the world, it is humorous, but sometimes very serious. It could be said that the play has sound bytes that seem to have roots in existentialism. But the principles of the sounds and the order of perception described in the Second and Third Civilizations can clearly be observed in the characters he brought to life in the play.
There is evidence of cruelty, when the characters who are deep in the concrete perception of the Second Civilization, characterize war, anger, and intuition that is colored by generational gender inequality. Towards the end, the audience observes changes take place on concepts of the cosmos. Ideas of the race for equality, that became just another competitive grip for control, give way to a new order. Our attention is focused on new ways of interaction.
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Play for Puppets which he also drew the illustrations, is filled with axioms, pointed comments about the state of the world, it is humorous, but sometimes very serious. It could be said that the play has sound bytes that seem to have roots in existentialism. But the principles of the sounds and the order of perception described in the Second and Third Civilizations can clearly be observed in the characters he brought to life in the play.
There is evidence of cruelty, when the characters who are deep in the concrete perception of the Second Civilization, characterize war, anger, and intuition that is colored by generational gender inequality. Towards the end, the audience observes changes take place on concepts of the cosmos. Ideas of the race for equality, that became just another competitive grip for control, give way to a new order. Our attention is focused on new ways of interaction.