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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Published here for the first time is Bruce Nugent's short novel, Half High, a story about a mysterious young artist named Aeon, whose mixed racial heritage alienates him from both the Black and white worlds of 1920s New York and beyond.
A stand-alone novella that nonetheless further engages with the characters in Nugent's full-length novel Gentleman Jigger, this important work deepens our understanding of the Harlem Renaissance, Black modernism, and Black modernism's relationship to the modernist work white authors were producing at the time as well. Presented here with a short introduction by Whit Frazier, including a brief discussion of how this work came to be published.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Published here for the first time is Bruce Nugent's short novel, Half High, a story about a mysterious young artist named Aeon, whose mixed racial heritage alienates him from both the Black and white worlds of 1920s New York and beyond.
A stand-alone novella that nonetheless further engages with the characters in Nugent's full-length novel Gentleman Jigger, this important work deepens our understanding of the Harlem Renaissance, Black modernism, and Black modernism's relationship to the modernist work white authors were producing at the time as well. Presented here with a short introduction by Whit Frazier, including a brief discussion of how this work came to be published.