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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A provocative drawing of Venezuela’s Lady Justice replaced Abe Lincoln’s words on the lawyer’s room of Reten La Planta, a prison in Caracas. The time was 1995, Gail Kenna’s last day in country after four years there. Her non-fiction work, initially printed through a 2000 Puffin Foundation grant, explores a country that satirizes greed and depravity, and mocks unequal administration of the law. In prologue and epilogue, and fourteen interrelated stories, Kenna unveils corruption that helps to explain Venezuela’s tragic economic and political morass today. In the foreword to this reissued book, Kenna asks how Lady Justice should be depicted in the USA today, and if Venezuelan corruption has something to teach us.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A provocative drawing of Venezuela’s Lady Justice replaced Abe Lincoln’s words on the lawyer’s room of Reten La Planta, a prison in Caracas. The time was 1995, Gail Kenna’s last day in country after four years there. Her non-fiction work, initially printed through a 2000 Puffin Foundation grant, explores a country that satirizes greed and depravity, and mocks unequal administration of the law. In prologue and epilogue, and fourteen interrelated stories, Kenna unveils corruption that helps to explain Venezuela’s tragic economic and political morass today. In the foreword to this reissued book, Kenna asks how Lady Justice should be depicted in the USA today, and if Venezuelan corruption has something to teach us.