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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the first poem of this collection, Emily Moon shows us Weldon Kees at his typewriter, making art ‘for a future that looks/as empty and bleak/as
the present’-thereby flashing Kees out of the mid-twentieth century into our time. Here are the haze of cigarette smoke, the taste of whiskey, jazz on the soundtrack, walk-ons by Pope Francis and Frida Kahlo, and locations chosen or invented by Moon, the poet-director. Here is her version of Kees’ shadow/symbol, the character Robinson, presented as an obsession. These poems about Kees offer mysteries, deeply appropriate for a man whose life story includes his sudden disappearance in 1955-a mystery still, serving here as a touchstone for Moon’s poetry.
-Judith Arcana
Emily Moon’s debut explores a groundbreaking potential for mystery. Lines like, ‘Sounds of the harbor clanked around us. / Salt breeze carried a tang of diesel / and sewage. / A clock chimed some ways off. / He checked his watch. Cinderella hour’ bring this poetical film noir to life. For the reader interested in both story and lyricism, it’s just you & me, miss moon is in a revelatory league of its own.
-Hannah Beresford, Poetry Editor at No Tokens
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the first poem of this collection, Emily Moon shows us Weldon Kees at his typewriter, making art ‘for a future that looks/as empty and bleak/as
the present’-thereby flashing Kees out of the mid-twentieth century into our time. Here are the haze of cigarette smoke, the taste of whiskey, jazz on the soundtrack, walk-ons by Pope Francis and Frida Kahlo, and locations chosen or invented by Moon, the poet-director. Here is her version of Kees’ shadow/symbol, the character Robinson, presented as an obsession. These poems about Kees offer mysteries, deeply appropriate for a man whose life story includes his sudden disappearance in 1955-a mystery still, serving here as a touchstone for Moon’s poetry.
-Judith Arcana
Emily Moon’s debut explores a groundbreaking potential for mystery. Lines like, ‘Sounds of the harbor clanked around us. / Salt breeze carried a tang of diesel / and sewage. / A clock chimed some ways off. / He checked his watch. Cinderella hour’ bring this poetical film noir to life. For the reader interested in both story and lyricism, it’s just you & me, miss moon is in a revelatory league of its own.
-Hannah Beresford, Poetry Editor at No Tokens