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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Under the Red, White, and Blue was F. Scott Fitzgerald’s final title for the novel we all know as, The Great Gatsby. This particular edition aims to achieve Fitzgerald’s last known wishes for the novel, if such a thing exists.
This book contains the entire novel. The emendations in this edition are mostly inconsequential to the overall scope of the novel. The updates include minor corrections (e.g., irises instead of retinas in descrbing the eyes of Doctor T.J. Eckleburg) and style choices closer to Fitzgerald’s holograph draft (e.g., living room instead of living-room ).
The Introduction discusses Fitzgerald’s struggle with the title as well as the influence of the original cover art and its artist, Francis Cugat.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Under the Red, White, and Blue was F. Scott Fitzgerald’s final title for the novel we all know as, The Great Gatsby. This particular edition aims to achieve Fitzgerald’s last known wishes for the novel, if such a thing exists.
This book contains the entire novel. The emendations in this edition are mostly inconsequential to the overall scope of the novel. The updates include minor corrections (e.g., irises instead of retinas in descrbing the eyes of Doctor T.J. Eckleburg) and style choices closer to Fitzgerald’s holograph draft (e.g., living room instead of living-room ).
The Introduction discusses Fitzgerald’s struggle with the title as well as the influence of the original cover art and its artist, Francis Cugat.