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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the study of Christian liturgical music, the first three centuries of the Christian era are foundational. Seldom, however, does this period receive serious attention from scholars. One of the reasons for this oversight is the fluid auditory environment of this period, and the inadequacy of the Western concept of
music
to describe this environment. Foundations of Christian Music addresses this lacuna by exploring the auditory environment of first-century CE Judaism and emerging Christianity until the time of Constantine (d. 337). Through a consideration of the text, styles, forms, performance, and settings of Jewish and early Christian worship, Foundations offers an unusually rich perspective on the lyrical nature of emerging Christian worship.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the study of Christian liturgical music, the first three centuries of the Christian era are foundational. Seldom, however, does this period receive serious attention from scholars. One of the reasons for this oversight is the fluid auditory environment of this period, and the inadequacy of the Western concept of
music
to describe this environment. Foundations of Christian Music addresses this lacuna by exploring the auditory environment of first-century CE Judaism and emerging Christianity until the time of Constantine (d. 337). Through a consideration of the text, styles, forms, performance, and settings of Jewish and early Christian worship, Foundations offers an unusually rich perspective on the lyrical nature of emerging Christian worship.