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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
TRANSPARENCY: ON NATURE AND THE OUTDOORS. Photography by Alexandra Opie, Catherine Opie, Chelsea Mosher, and Meghann Riepenhoff; Edited and curated by Andrew Heid/ NO ARCHITECTURE. Installed at the AIA award-winning Courtyard House (c. 2013) in Aurora, Oregon, this exhibition breaks down the separation between art, architecture, and nature. Featuring four West Coast contemporary artists who examine their disciplinary means of production, the exhibition highlights divergent and diverse technologies, from stereoscopic tintypes to cyanotypes submerged beneath waves, which collectively open new ways of perceiving the natural world. The exhibition invites visitors to question the role of photography-and technology at large-in constructing our understandings of place and nature through conservation and memory. Exhibited October 5th - June 30th, 2020.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
TRANSPARENCY: ON NATURE AND THE OUTDOORS. Photography by Alexandra Opie, Catherine Opie, Chelsea Mosher, and Meghann Riepenhoff; Edited and curated by Andrew Heid/ NO ARCHITECTURE. Installed at the AIA award-winning Courtyard House (c. 2013) in Aurora, Oregon, this exhibition breaks down the separation between art, architecture, and nature. Featuring four West Coast contemporary artists who examine their disciplinary means of production, the exhibition highlights divergent and diverse technologies, from stereoscopic tintypes to cyanotypes submerged beneath waves, which collectively open new ways of perceiving the natural world. The exhibition invites visitors to question the role of photography-and technology at large-in constructing our understandings of place and nature through conservation and memory. Exhibited October 5th - June 30th, 2020.