Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
While engaged in tracing out the influence of the great doctrine of Sacrifice upon the formation and development of the mouldings, c., of ancient Gothic art, my attention was drawn to the colours of the sacrificial vestments in use in the ancient Church of England. For a time I have put aside the former subject, in order to study and prepare notes upon the latter. Like everything else that is truly orthodox in the system of the Catholic Church, her use of colours for sacrificial vestments is derived from the use of the ancient Mosaic Church: a use which was instituted, not by man, but, by God Himself. In olden time, England was called the island of saints. It was the great orthodoxy of the old Church of England which gained for our country this honourable distinction. Our forefathers were pre-eminently orthodox among the nations of Western Christendom;and our grand old Liturgies and noble Gothic Churches, as well as all the mystic ritual of our ancient worship, testify to the pure
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
While engaged in tracing out the influence of the great doctrine of Sacrifice upon the formation and development of the mouldings, c., of ancient Gothic art, my attention was drawn to the colours of the sacrificial vestments in use in the ancient Church of England. For a time I have put aside the former subject, in order to study and prepare notes upon the latter. Like everything else that is truly orthodox in the system of the Catholic Church, her use of colours for sacrificial vestments is derived from the use of the ancient Mosaic Church: a use which was instituted, not by man, but, by God Himself. In olden time, England was called the island of saints. It was the great orthodoxy of the old Church of England which gained for our country this honourable distinction. Our forefathers were pre-eminently orthodox among the nations of Western Christendom;and our grand old Liturgies and noble Gothic Churches, as well as all the mystic ritual of our ancient worship, testify to the pure