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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley’s best and most well-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats’ death (seven weeks earlier). It is a pastoral elegy, in the English tradition of John Milton’s Lycidas. Shelley had studied and translated classical elegies. Some critics suggest that Shelley used Virgil’s tenth Eclogue, in praise of Cornelius Gallus, as a model.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley’s best and most well-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats’ death (seven weeks earlier). It is a pastoral elegy, in the English tradition of John Milton’s Lycidas. Shelley had studied and translated classical elegies. Some critics suggest that Shelley used Virgil’s tenth Eclogue, in praise of Cornelius Gallus, as a model.