Twenty years after the terrorist attacks on the World Trade Center and Pentagon, we can now see that the War on Terror profoundly affected Western self-understanding and the secular liberal image it sought to project onto a global canvas at what was widely assumed to be the end of history. The dramatic change in awareness that 9/11 brought about was particularly vivid, this book maintains, in the media that sustained and displayed the West’s self-image. In particular, fiction, film, drama, the visual arts, and popular music have all struggled to come to grips with the phenomena of terror, asymmetrical warfare, home grown jihadist activism, and the moral and political dilemmas they evoke.

The book further argues that the evolving progressive response to 9/11 assumed an increasingly ideological character via the critical and normative international relations theories that came to dominate Western campuses after 2001. These perspectives gave substance to an increasingly critical depiction of the West’s War on Terror and its popular promotion through works of literature, film, music, and the visual arts. Promoted through these popular genres, it combined the ingredients that formed woke ideology in an accessible formula that subsequently dominated both the mainstream media, academia, and, in time, government agencies.