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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In his second volume of poetry, Jace Paul takes a retrospective look at the works of his early years. Roughly divided into two eras, the King’s Road years of his childhood and the time spent in a Pleasant Street apartment during college, the poems are deeply confessional and richly textured with strong and often conflicting emotions. From the award-winning Breakfast and The Serpent, to poignant set-pieces like Bill and L'Americain, Paul consistently employs colorful, straightforward language to capture his subjects and experiences. Though poetry has lost much of its appeal and value in the twenty-first century, Paul charges it with new energy by making it more about stories than images, more compassionate than abstract.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In his second volume of poetry, Jace Paul takes a retrospective look at the works of his early years. Roughly divided into two eras, the King’s Road years of his childhood and the time spent in a Pleasant Street apartment during college, the poems are deeply confessional and richly textured with strong and often conflicting emotions. From the award-winning Breakfast and The Serpent, to poignant set-pieces like Bill and L'Americain, Paul consistently employs colorful, straightforward language to capture his subjects and experiences. Though poetry has lost much of its appeal and value in the twenty-first century, Paul charges it with new energy by making it more about stories than images, more compassionate than abstract.