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Finding the Bones is a dark romance set against the youth rebellion and revolutionary violence of the 1910s-an era not unlike 1960s’ America-where idealistic young men and women seek to create a more just society but often fall victim to retribution or disillusionment. Charlie Everett, a journalist on the make, and Olivia St. James, an ardent feminist and journalist in her own right, find themselves caught in a deadly embrace from which neither can escape. A fine, sophisticated historical novel from author Avery Russell in which she draws from her family history, especially the life of her journalist father who is Charlie Everett in the novel; her father’s first wife portrayed as Olivia St. James; and their mutual friend Maurice Hadley, in real life the early abstract painter Marsden Hartley. Russell’s omniscient narrator moves deftly among her substantial cast of characters, showing us the lives of bohemians and expatriates of pre-World War I and beyond. If there is any symbol of the partially thwarted lives that the central characters endure, it is in Hartley’s poem ‘Finding the Bones, ’ which provides the title for the book, where the bones of a dead bird are found with its wings still on and its feathers attached, the last vestiges of a life and an ardor Charlie himself experienced among the bones he hid from everyone. ‘Fixed were the wings, ’ Hartley wrote; now they are stiffened, and life has moved on to a ‘fresh history of stifled things.’ - Townsend Ludington, author of Marsden Hartley: The Biography of an American Artist (1992) and Seeking the Spiritual: The Paintings of Marsden Hartley (1998); Cary C. Boshamer Distinguished Professor Emeritus of English and American Studies, University of North Carolina at Chapel Hill
