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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Mathilde-Marie-Georgina-Elisabeth de Peyrebrune (1841-1917), who wrote under the pseudonym of Georges de Peyrebrune, originally published A Decadent Woman in 1886, in two parts in the Revue Bleue. The novella, appearing here for the first time in English, in a translation by Brian Stableford, along with three supplementary tales, is one of Peyrebrune’s most flamboyant works, presenting a caricature of a high-profile variety of radical feminism, which is demolished by the narrative in such an excessive fashion that it was evidently written tongue-in-cheek, although it is probable that some readers were oblivious to its sarcastic humor.
The three addition tales, The Fays, a perverse parody of a fairy tale, The Red Bird, a symbolist account of exotic madness, and Salome a spectacular landmark of decadent fantasy, are wonderful examples of Peyrebrune’s work when she chose to venture into the avant garde herself.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Mathilde-Marie-Georgina-Elisabeth de Peyrebrune (1841-1917), who wrote under the pseudonym of Georges de Peyrebrune, originally published A Decadent Woman in 1886, in two parts in the Revue Bleue. The novella, appearing here for the first time in English, in a translation by Brian Stableford, along with three supplementary tales, is one of Peyrebrune’s most flamboyant works, presenting a caricature of a high-profile variety of radical feminism, which is demolished by the narrative in such an excessive fashion that it was evidently written tongue-in-cheek, although it is probable that some readers were oblivious to its sarcastic humor.
The three addition tales, The Fays, a perverse parody of a fairy tale, The Red Bird, a symbolist account of exotic madness, and Salome a spectacular landmark of decadent fantasy, are wonderful examples of Peyrebrune’s work when she chose to venture into the avant garde herself.