Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Vachel Lindsay, in full Nicholas Vachel Lindsay, (born Nov. 10, 1879, Springfield, Ill., U.S.–died Dec. 5, 1931, Springfield), American poet who–in an attempt to revive poetry as an oral art form of the common people–wrote and read to audiences compositions with powerful rhythms that had an immediate appeal.
After three years at Hiram College, Hiram, Ohio, Lindsay left in 1900 to study art in Chicago and New York City. He supported himself in part by lecturing for the YMCA and the Anti-Saloon League. Having begun to write poetry, he wandered for several summers throughout the country reciting his poems in return for food and shelter.
He first received recognition in 1913, when Poetry magazine published his poem on William Booth, founder of the Salvation Army. His poems of this kind are studded with vivid imagery and express both his ardent patriotism and his romantic appreciation of nature. Lindsay’s poetry depicted with evocative clarity such leaders of American cults and causes as Alexander Campbell (a founder of the Disciples of Christ), Johnny Appleseed, John Peter Altgeld, and William Jennings Bryan. Lindsay recited his poetry in a highly rhythmic and syncopated manner that was accompanied by dramatic gestures in an attempt to achieve contact with his audience. Among the 20 or so poems that audiences demanded to hear–so often that Lindsay grew weary of reciting them–were General William Booth Enters into Heaven,
The Congo, and The Santa Fe Trail. His best volumes of verse include Rhymes To Be Traded for Bread (1912), General William Booth Enters into Heaven and Other Poems (1913), The Congo and Other Poems (1914), and The Chinese Nightingale and Other Poems (1917). Both Lindsay’s poetic powers and his faculty of self-criticism steadily declined during the 1920s, and he lost his popularity. He committed suicide by drinking poison. (britannica.com)
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Vachel Lindsay, in full Nicholas Vachel Lindsay, (born Nov. 10, 1879, Springfield, Ill., U.S.–died Dec. 5, 1931, Springfield), American poet who–in an attempt to revive poetry as an oral art form of the common people–wrote and read to audiences compositions with powerful rhythms that had an immediate appeal.
After three years at Hiram College, Hiram, Ohio, Lindsay left in 1900 to study art in Chicago and New York City. He supported himself in part by lecturing for the YMCA and the Anti-Saloon League. Having begun to write poetry, he wandered for several summers throughout the country reciting his poems in return for food and shelter.
He first received recognition in 1913, when Poetry magazine published his poem on William Booth, founder of the Salvation Army. His poems of this kind are studded with vivid imagery and express both his ardent patriotism and his romantic appreciation of nature. Lindsay’s poetry depicted with evocative clarity such leaders of American cults and causes as Alexander Campbell (a founder of the Disciples of Christ), Johnny Appleseed, John Peter Altgeld, and William Jennings Bryan. Lindsay recited his poetry in a highly rhythmic and syncopated manner that was accompanied by dramatic gestures in an attempt to achieve contact with his audience. Among the 20 or so poems that audiences demanded to hear–so often that Lindsay grew weary of reciting them–were General William Booth Enters into Heaven,
The Congo, and The Santa Fe Trail. His best volumes of verse include Rhymes To Be Traded for Bread (1912), General William Booth Enters into Heaven and Other Poems (1913), The Congo and Other Poems (1914), and The Chinese Nightingale and Other Poems (1917). Both Lindsay’s poetic powers and his faculty of self-criticism steadily declined during the 1920s, and he lost his popularity. He committed suicide by drinking poison. (britannica.com)