Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
"Catch Me if You Can meets Coming to America in this epic tale of one of the greatest scammers of all time."-NPR
Shortlisted for the Mark Lynton History Prize * A New York Times Notable Book of the Year * A New Yorker, NPR, Newsweek, The Economist, TIME, Slate, and WIRED Best Book of the Year
The astounding, never-before-told story of how an audacious Ghanaian con artist pulled off one of the 20th century's longest-running and most spectacular frauds.
After winning independence in 1957, Ghana instantly became a target for home-grown opportunists and rapacious Western interests determined to snatch any assets that British colonialism hadn't already stripped. A CIA-funded military junta ousted the inspiring president, Kwame Nkrumah, then falsely accused him of hiding the country's gold overseas.
Into this big lie stepped one of history's most charismatic scammers, a con man to rival the trickster god Anansi. Born into poverty in Ghana and trained in the United States, John Ackah Blay-Miezah declared himself custodian of an alleged Nkrumah trust fund worth billions. You, too, could claim a piece--if only you would "invest" in Blay-Miezah's fictitious efforts to release the equally fictitious fund. Over the 1970s and '80s, he and his accomplices-including Ghanaian state officials and Nixon's former attorney general--scammed hundreds of millions of dollars out of thousands of believers around the world. American prosecutors called his scam "one of the most fascinating--and lucrative--in modern history."
In Anansi's Gold, Yepoka Yeebo chases Blay-Miezah's wild trail and discovers, at long last, what really happened to Ghana's missing wealth. She unfolds a riveting account of Cold War entanglements, international finance, and postcolonial betrayal, revealing how what we call "history" writes itself into being, one lie at a time.
Winner of the Jhalak Prize * Winner of the Plutarch Award for Biography
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
"Catch Me if You Can meets Coming to America in this epic tale of one of the greatest scammers of all time."-NPR
Shortlisted for the Mark Lynton History Prize * A New York Times Notable Book of the Year * A New Yorker, NPR, Newsweek, The Economist, TIME, Slate, and WIRED Best Book of the Year
The astounding, never-before-told story of how an audacious Ghanaian con artist pulled off one of the 20th century's longest-running and most spectacular frauds.
After winning independence in 1957, Ghana instantly became a target for home-grown opportunists and rapacious Western interests determined to snatch any assets that British colonialism hadn't already stripped. A CIA-funded military junta ousted the inspiring president, Kwame Nkrumah, then falsely accused him of hiding the country's gold overseas.
Into this big lie stepped one of history's most charismatic scammers, a con man to rival the trickster god Anansi. Born into poverty in Ghana and trained in the United States, John Ackah Blay-Miezah declared himself custodian of an alleged Nkrumah trust fund worth billions. You, too, could claim a piece--if only you would "invest" in Blay-Miezah's fictitious efforts to release the equally fictitious fund. Over the 1970s and '80s, he and his accomplices-including Ghanaian state officials and Nixon's former attorney general--scammed hundreds of millions of dollars out of thousands of believers around the world. American prosecutors called his scam "one of the most fascinating--and lucrative--in modern history."
In Anansi's Gold, Yepoka Yeebo chases Blay-Miezah's wild trail and discovers, at long last, what really happened to Ghana's missing wealth. She unfolds a riveting account of Cold War entanglements, international finance, and postcolonial betrayal, revealing how what we call "history" writes itself into being, one lie at a time.
Winner of the Jhalak Prize * Winner of the Plutarch Award for Biography