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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Viewing Osaka through the series 100 Views of Naniwa (Osaka) is an amazing experience. It is a well executed repetition over a format by Hiroshige. Some add a "Famous" to the title.
This series is by three artists, Utagawa Yoshitaki, Utagawa Kunikazu and Nansuitei Yoshiyuki.
Hiroshige I created his revolutionary series 100 Famous Views of Edo over three years, 1856-1859.
This led to the publishing of copy series 100 Views of Naniwa (Osaka) by other artists. The book here is based mainly on prints in the Museum of Fine Arts in Boston and Osaka Municipal Museum collections.
Hiroshige I had done his own series Famous Views of Naniwa (Osaka), 10 prints, as early as 1834, but it was his 100 Famous Views of Edo that caused the significant copy production.
Copying ideas and prints was quite normal in the Edo Period Japan print business.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Viewing Osaka through the series 100 Views of Naniwa (Osaka) is an amazing experience. It is a well executed repetition over a format by Hiroshige. Some add a "Famous" to the title.
This series is by three artists, Utagawa Yoshitaki, Utagawa Kunikazu and Nansuitei Yoshiyuki.
Hiroshige I created his revolutionary series 100 Famous Views of Edo over three years, 1856-1859.
This led to the publishing of copy series 100 Views of Naniwa (Osaka) by other artists. The book here is based mainly on prints in the Museum of Fine Arts in Boston and Osaka Municipal Museum collections.
Hiroshige I had done his own series Famous Views of Naniwa (Osaka), 10 prints, as early as 1834, but it was his 100 Famous Views of Edo that caused the significant copy production.
Copying ideas and prints was quite normal in the Edo Period Japan print business.