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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A further course in music appreciation, introducing the composers Schubert, Field, Mendelssohn, and Debussy by the same methods as used in the first volume of this series, then moving on to the major focus of this second book, which is on dramatic forms that have a musical component and musical forms that have a dramatic component. Starting with miracle plays and masques, the narrative then turns to oratorios, and operas. In connection with the latter, Wagner and Verdi, both masters of the operatic form, are profiled, along with Sullivan, who in partnership with Gilbert produced the comic operas for which they are so well known. A section on military music is also included, featuring the instruments on display in army bands.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A further course in music appreciation, introducing the composers Schubert, Field, Mendelssohn, and Debussy by the same methods as used in the first volume of this series, then moving on to the major focus of this second book, which is on dramatic forms that have a musical component and musical forms that have a dramatic component. Starting with miracle plays and masques, the narrative then turns to oratorios, and operas. In connection with the latter, Wagner and Verdi, both masters of the operatic form, are profiled, along with Sullivan, who in partnership with Gilbert produced the comic operas for which they are so well known. A section on military music is also included, featuring the instruments on display in army bands.