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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is the hardback version.
For the first time in almost 90 years, we can experience the origins of Jack Benny’s radio comedy genius. Jack Benny’s Lost Radio Broadcasts, brought up from Benny’s subterranean vault [or the UCLA archives, almost as difficult to access!] finally share scripts of his earliest live radio programs–for which no recordings exist.
See how the soon-to-be-king of radio comedy moved from his vaudeville stand-up comedy background to invent the workplace situation comedy.
In these first shows of 1932, Jack plays a Broadway Romeo, a genial, self-deprecating comedian, who is not yet the famously cheap fall guy he would become over the next two years. Jack claims that it’s his bandleader, George Olsen, who’s the tightwad.
Highlights of Volume One include:
These 26 hilarious radio scripts offer Jack Benny at his early creative best.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This is the hardback version.
For the first time in almost 90 years, we can experience the origins of Jack Benny’s radio comedy genius. Jack Benny’s Lost Radio Broadcasts, brought up from Benny’s subterranean vault [or the UCLA archives, almost as difficult to access!] finally share scripts of his earliest live radio programs–for which no recordings exist.
See how the soon-to-be-king of radio comedy moved from his vaudeville stand-up comedy background to invent the workplace situation comedy.
In these first shows of 1932, Jack plays a Broadway Romeo, a genial, self-deprecating comedian, who is not yet the famously cheap fall guy he would become over the next two years. Jack claims that it’s his bandleader, George Olsen, who’s the tightwad.
Highlights of Volume One include:
These 26 hilarious radio scripts offer Jack Benny at his early creative best.