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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
It is often said, quite appropriately, that Khayyam was the poet of fate. It would be a mistake, however, to call him a fatalist, at least according to our common understanding of this word. Scholars seeking to categorize his Ruba'iyat can themselves be grouped into two major schools of thought. The first claims that he was highly influenced by Islamic mysticism, particularly Sufism, and that his references to wine and lovers are allegorical representations of mystical wine and divine love. A second school of thought rejects this view, claiming that Khayyam’s references to wine and lovers are very literal and sensual.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
It is often said, quite appropriately, that Khayyam was the poet of fate. It would be a mistake, however, to call him a fatalist, at least according to our common understanding of this word. Scholars seeking to categorize his Ruba'iyat can themselves be grouped into two major schools of thought. The first claims that he was highly influenced by Islamic mysticism, particularly Sufism, and that his references to wine and lovers are allegorical representations of mystical wine and divine love. A second school of thought rejects this view, claiming that Khayyam’s references to wine and lovers are very literal and sensual.