Mystical Vertigo: Contemporary Kabbalistic Hebrew Poetry Dancing Over the Divide

Whether extroversive, introversive or some further hybrid, the process of the soul touching the fullness of its divine origins is itself undergoing transformation in the contemporary twenty-first century cultural matrices of Israel. Touching but not touching, or Touching God, what the mystics call mati v'lo mati, occurs throughout mystical poetics surrounding the unitive experience otherwise known as devekut. Rather than sketch out theological datum of the poetry at hand, this study seeks to explore the reality of devotional experience behind the poetic record and its correlations with contemporary Hasidic literature being written in Israel.

From this collection of annotated translations, poetry returns to its conversation with pathways in thinking throughout Continental philosophy, revealing lost pathways of a vibrant Judaism. Selections include the devotional poetry of: Schulamith Hava HaLevi; Haya Esther; Haviva Pedaya; Zelda Schneerson Mishkovsky; Yonadav Kaplun; Haya Esther; Tamar Elad-Appelbaum; Agi Mishol; Admiel Kosman; and Binyamin Shevili.