In The Narcissism of Small Differences, Michael Zadoorian writes with smart, skewering accuracy about relationships and midlife, about the costs of irony and complacency, and about how change comes for all of us, whether we’re ready for it or not. Zadoorian’s humor does that rare thing: packs a punch even as it moves us to sympathy and emotional connection. With Detroit as his steady muse and memory palace, Zadoorian is a writer of consequence in full command of his gifts.
–Paula McLain, author of The Paris Wife and Love and Ruin
For anyone who’s ever asked themselves, ‘Am I weird?’ Michael Zadoorian has the answer: ‘Of course you are. That’s the whole idea.’ While everyone is trying so hard to act normal, The Narcissism of Small Differences revels in its own weirdness.
–Ben Folds, New York Times best-selling author/singer-songwriter
The Narcissism of Small Differences asks big questions and delivers big answers but not without wit, taste, and style. A snapshot of a modern relationship, all messiness included. There’s nobody better than Michael Zadoorian at unearthing the beauty in ruins, the truth in jest, youth in aging. In a literary landscape where most are hell-bent on outplotting their peers, he has sculpted a thriller from everyday life. For this, it’s my most cherished book of the year.
–Josh Malerman, author of Bird Box
Simmering beneath the humor and irony of this story is a poignant quest for meaning and authenticity in a postmodern world that supposedly holds all the answers. Michael Zadoorian is a deft, thoughtful, and intelligent writer who has deep compassion and understanding for the human condition, and his humility and humanity infuse every page. I loved this book.
–Michael Imperioli, author of The Perfume Burned His Eyes
Against the backdrop of a crumbling Detroit, Zadoorian’s prose sparkles and shimmers, infusing this love ballad of a novel with humor and light. Zadoorian is a writer who hears music everywhere and in everything, a writer who turns the act of reading into something as lush as a concert, as intimate as a mixtape.
–Nickolas Butler, author of Shotgun Lovesongs
Joe Keen and Ana Urbanek have been a couple for a long time, with all the requisite lulls and temptations, yet they remain unmarried and without children or a mortgage, as their Midwestern values (and parents) seem to require. Now on the cusp of forty, they are both working at jobs that they’re not even sure they believe in anymore, but with significantly varying returns. Ana is successful, Joe is floundering–both in limbo, caught somewhere between mainstream and alternative culture, sincerity and irony, achievement and arrested development.
Set against the backdrop of bottomed-out 2009 Detroit, a once-great American city now in transition, part decaying and part striving to be reborn, The Narcissism of Small Differences is the story of an aging creative class, doomed to ask the questions: Is it possible to outgrow irony? Does not having children make you one? Is there even such a thing as selling out anymore?
More than a comedy of manners, The Narcissism of Small Differences is a comedy of compromise: the financial compromises we make to feed ourselves; the moral compromises that justify our questionable actions; the everyday compromises we all make just to survive in the world. Yet it’s also about the consequences of those compromises and the people we become because of them. By turns wry and ribald, kitschy and gritty, poignant and thoughtful, The Narcissism of Small Differences is the story of Joe and Ana’s life together, their relationship, their tribes, their work and passions, and their comic quest for a life that is their own and no one else’s.
