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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Santeria, also called Lucumi or Orisha Worship by its practitioners, originated in Nigeria among the Yoruba people. It took shape in Cuba during and after the slave trade and reached North America through Afro-Caribbean immigration. As the fastest growing African-based religion in the United States, Santeria has stimulated many publications, but none prior to this book noted the special significance of its art and artists.In Santeria Garments and Altars, for the first time, two distinguished folklorists and practitioners of the faith focus upon the artistry of garments and altars that are intrinsic to the worship. Detailed here is information about their design and creation, the artists who make them, and the importance of aesthetics as text in the religious celebration.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Santeria, also called Lucumi or Orisha Worship by its practitioners, originated in Nigeria among the Yoruba people. It took shape in Cuba during and after the slave trade and reached North America through Afro-Caribbean immigration. As the fastest growing African-based religion in the United States, Santeria has stimulated many publications, but none prior to this book noted the special significance of its art and artists.In Santeria Garments and Altars, for the first time, two distinguished folklorists and practitioners of the faith focus upon the artistry of garments and altars that are intrinsic to the worship. Detailed here is information about their design and creation, the artists who make them, and the importance of aesthetics as text in the religious celebration.