In 1849, the mysterious Doctor Salomon Kanali and his family arrive in a Paris ravaged by a cholera epidemic. But is this Kanali the same embalmer who claimed to have the power to resurrect the dead? And why does his wife fear that her daughter Marthe is being wooed by the same vampire who once destroyed her mother? The Vampire of Val-de-Grace (1862) is a horror story, a love story, a mystery, a comedy and, marginally, a scientific romance; unique in its excess and its bizarre absurdity, it has a certain precious verve and a capacity to make the jaw drop.It belongs to the cynical and tongue-in-cheek tradition of Ponson du Terrail’s The Vampire and the Devil’s Son (1853) and Paul Feval’s Knighshade (1860), which teasingly refuse explicitly to confirm or deny the existence of vampires, but play extravagantly with the idea, while merrily exploiting its sinister fascination.