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This book brings to light a mythic dimension of seventeen important eighteenth- and early nineteenth-century narratives that revolve around the persecution of one or more important female characters, and offers original readings of novels by Richardson, Fielding, Burney, Radcliffe, Godwin, Austen, Scott, and others. The myth in question, which Raymond Hilliard calls the myth of persecution and reparation, serves as a major vehicle for the early novel’s preoccupation with the mother, a mythic figure distinct from the historical mother or from the mother as she is represented in eighteenth- and early nineteenth-century maternal ideology. Hilliard argues that the myth of persecution and reparation derives from the topos of female sacrifice in the romance tradition, and shows that this topos is central to several kinds of novels-realist, Gothic, Jacobin, feminist, and historical. Hilliard contends that the narrative of persecution and reparation anticipates the twentieth-century maternal myth associated with the work of Melanie Klein and other relational model psychoanalytic theorists, and he thus also examines the psychosexual significance of the mother. Hilliard explores the relation of psychosexual themes to social representations, and delineates a new theory of plot-both tragic and comic plots - in the early novel.
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This book brings to light a mythic dimension of seventeen important eighteenth- and early nineteenth-century narratives that revolve around the persecution of one or more important female characters, and offers original readings of novels by Richardson, Fielding, Burney, Radcliffe, Godwin, Austen, Scott, and others. The myth in question, which Raymond Hilliard calls the myth of persecution and reparation, serves as a major vehicle for the early novel’s preoccupation with the mother, a mythic figure distinct from the historical mother or from the mother as she is represented in eighteenth- and early nineteenth-century maternal ideology. Hilliard argues that the myth of persecution and reparation derives from the topos of female sacrifice in the romance tradition, and shows that this topos is central to several kinds of novels-realist, Gothic, Jacobin, feminist, and historical. Hilliard contends that the narrative of persecution and reparation anticipates the twentieth-century maternal myth associated with the work of Melanie Klein and other relational model psychoanalytic theorists, and he thus also examines the psychosexual significance of the mother. Hilliard explores the relation of psychosexual themes to social representations, and delineates a new theory of plot-both tragic and comic plots - in the early novel.