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This study of the works of James Joyce, from Dubliners to Finnegans Wake, finds an Aristotelian underpinning for much of Joyce’s thinking on language and representation. In much of his writing, Joyce deals with the tension between visual and auditory modes of experiencing and representing.
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This study of the works of James Joyce, from Dubliners to Finnegans Wake, finds an Aristotelian underpinning for much of Joyce’s thinking on language and representation. In much of his writing, Joyce deals with the tension between visual and auditory modes of experiencing and representing.